The below is a computer-generated response from Neo, Neopoet's computer artificial intelligence:

This poem, "THE PAINTING," draws heavily on the narrative and themes of Oscar Wilde's "The Picture of Dorian Gray." The poem's exploration of sin, guilt, and the passage of time aligns well with the source material.

The poem could benefit from a more rigorous exploration of its themes. For instance, the concept of sin is mentioned frequently, but its implications and consequences aren't fully explored. The poem could delve deeper into the psychological and emotional effects of the protagonist's actions.

The poem's structure is consistent, which aids in readability. However, the rhyme scheme occasionally feels forced, leading to awkward phrasing or syntax. For example, "I lived my future here and now; I always cleaned the slate" seems to be constructed to fit the rhyme scheme rather than to convey a particular idea or emotion.

The poem's language is generally clear, but there are moments where the meaning is obscured. The line "Yet avoided penalty of paying, Telegraph Boy prices" is one such instance. The reference to "Telegraph Boy prices" is unclear, and the phrase "penalty of paying" is somewhat redundant.

Finally, the poem could benefit from more varied and evocative imagery. While the reference to the protagonist's portrait aging and decaying is effective, the poem relies heavily on this single image. Introducing additional, contrasting imagery could make the poem more dynamic and engaging.

Please send feedback about Neo (our computer generated critique system) to https://www.neopoet.com/contact

Hello, Ruby,
This is great. Like reading Dorian Gray's demented mind. I especially like the literal and visual image of "flaking paint upon the floor." The breakdown of so much there. I'm wondering a bit about the title. Such an extreme portrait... maybe, "The Masterpiece?" Adds a bit of drama to the very dramatic theme of the poem. Just a thought.
Thank you!
L

I like your revision!
L